Archive for the ‘find your voice’ Category

The Blog Coach Confessions: Final Episode

Thursday, November 29th, 2007

The jig is up. I have to confess…

I’m not really a blog coach anymore.Fog-to-Fire-Logo.gif

While I’ve enjoyed the work I’ve done with Write with Meaning, it’s not exactly where my heart resides. It was close, but not quite right. And I finally found my calling, a bit to the left and straight on till morning. Therefore, rather than let my blog and business just fade away without recognition, I wanted to say farewell and let you know my new identity.

My current business is called Fog to Fire, wherein I help healthy people get unstuck. I’m a therapist and a healer now, and damn, I love it! If you’re interested in hearing more, I hope you sign up for my Fog to Fire newsletter and check out what I’ve been talking about there.

You’ve been a lovely audience and I am truly grateful that you found my posts entertaining enough to stop by. I hope I’ve helped a bit and offered a few laughs.

Thanks for reading.
Rachel Whalley

The Blog Coach Confessions: Episode 1

Tuesday, September 18th, 2007

You’ve heard me talking about how important it is to identify your blog audience (Blogger, Know Thy Audience and You Talkin’ to Me?). confidential stamp.jpgI need to confess, though…I used to be in the camp of “whomever can afford me is my clientele,” so I know it’s hard to get used to the idea of narrowing down to a specific audience.

But consider this–when I started my biz, I called myself a writing coach. When people asked me what I did, I said “I help people write better”…and that was my whole pitch. Write what better? And which people? Not much to hang a hat on, is it?

Now when I meet people who want to know more about my job, I say I’m “a blogging coach and collaborative copywriter who helps small and indie business owners attract their ideal clients.” Unsurprisingly, my business is much more successful now. After all, whom would you rather hire: the “writing coach who helps people write better” or the “blog coach and collaborative copywriter, etc.”?

Who Do You Think You Are?

Tuesday, July 17th, 2007

I saw a great movie the other day: Akeelah and the Bee. It’s about a young black girl from the ghetto who ends up competing in the National Spelling Bee. One of its messages is that we each have the right to stand up and be special—recognition, talent, and accomplishment aren’t just for the rich, the white, the beautiful, or the brilliant.

If you’re one of those folks out there who doesn’t blog because you’re worried about whether or not you have anything worth saying, I have a quote for you (which I first heard from this movie). Read, imagine Lawrence Fishburne saying these words, and be liberated.

Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. We ask ourselves, ‘Who am I to be brilliant, gorgeous, talented, fabulous?’ Actually, who are you not to be? You are a child of God. Your playing small doesn’t serve the world. There’s nothing enlightened about shrinking so that other people won’t feel insecure around you. We are all meant to shine as children do. We were born to make manifest the glory of God that is within us. It’s not just in some of us, it’s in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we’re liberated from our own fear, our presence automatically liberates others.

-Marianne Williamson, A Return to Love

How Four Words Can Make You a Great Writer

Thursday, March 8th, 2007

I know you’ve been looking for it all along–the magic potion that will make your writing sparkle and pull clients from their couches. After months of study on this subject, I have the answer for you. Are you ready?

The secret to writing posts that grab clients is just this: love what you do.

I don’t mean “like it a lot,” or “be pretty good at it.” I mean LOVE it. When you are passionate about your work, all the little grammar issues and style technicalities will pale in comparision. People are drawn to those who are passionate about their work and ideas.

If you’re having a lot of trouble getting your posting or web copy off the ground, consider whether you’re really tapping into that place inside yourself where your abilities and your passions intersect. After all, why should your customers fall in love with your service if you don’t love it yourself?

How One Book Can Turn Your Copy Into a Proverb

Monday, March 5th, 2007

Which message are you more likely to remember: one about the bitterness of defeat, or Made to Stickone about a fox who, when he cannot reach the fruit he wants, comments that the grapes must be sour?

Two brothers, one a Stanford professor and the other an entrepreneur, got together and wrote a book about “why some ideas survive and others die.” In it, they talk about the six main principles of what they call “sticky” ideas. If you want to immediately get schooled in how to write content that will stick in your customers’ minds AND you want to read entertaining stories about Southwest Airlines, urban legends, and the NBA, grab a copy of Made to Stick.

A Simple Message for Success

Sunday, January 21st, 2007

Have you ever heard of the KISS principle? It’s an acronym for “Keep It Simple, Silly.” (Normally, the last word is “stupid,” but I prefer a term of endearment used by Christopher Robin.) The point of this principle is to emphasize that readers/customers/listeners are so much more likely to grasp your idea if it’s simple. Think about the recent Mac ads that feature a young, hip guy to represent a Mac computer and a middle-aged, pudgy guy to stand in for a PC. You only have to watch for two seconds to get their point. Why? Cause it’s simple. The best messages always are.

Take a look at your business communications, especially your marketing materials. Are they easy to understand, or do you inundate your customer with a lot of technical jargon? Have a ten-year-old kid read it. Does she get it? If not, it’s probably too complicated. Make the benefits to the customer be crystal clear and quick to “get.” When they “get” it, you’ll get them.

Want more on this idea? BusinessWeek has a short article touting the benefits of simplicity.

Stop Trying to Sound Smart

Friday, October 6th, 2006

Ready for another ice skating metaphor? Ever watch the Olympics and see a skater with a furrowed brow whose every step seems fraught with tensed energy? They usually either fall at some point, or they get high technical scores and low artistic scores. Why? ‘Cause they’re trying too hard.

I see the same issue in many different sports, from rock climbing to golf. And I believe it applies to other skills, including writing. If you’re trying too hard to impress people or to force a sentence to work or to use all the ten-dollar words possible, people are going to notice. Don’t try to sound smart. The beauty in great writing or ice skating or rock climbing is in making it look effortless.

“Great,” you might be saying, “so I just need to be brilliant without trying to sound brilliant. That’s simple.” Don’t get discouraged, Mr. Sarcasm. I know it sounds nigh impossible, but it’s not. The key is to relax and let go of the idea of perfection. Start by trying not to worry so much about your reader judging you; just say what you want to say.

“What if I DO want to sound smart, though?” you might ask. Alright, here’s the recipe: step one is to have something interesting to say. Step two is to practice saying it well. In other words, engage your creative mind and write a draft, then bring in your critic to revise and revise it again. As Anne Lamott says in her novel Bird by Bird:

I know some very great writers…who write beautifully…and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think she has a rich inner life or that God likes her or can even stand her.

Making great, smart writing look effortless takes a lot of practice, a lot of balance, and a lot of intuition. You attain balance by practicing. You develop intuition by practicing. And surprisingly enough, you learn to practice by (you guessed it) practicing. 

The Critic and the Creative Mind

Thursday, September 21st, 2006

I sit here for a good ten minutes, trying to begin this post. I write a sentence or two, then scroll back to delete them. I stare at the blank screen with my thoughts boinging around like errant ping-pong balls.

Sound familiar? It’s usually called “writer’s block.” Like the common cold, everyone finds themselves susceptible at some point in their lives. And also like with the common cold, everyone has a different remedy. My remedy is to look at it like a battle between my inner critic and my creative mind.

There are times when I’ve got something to say and it just flows from me into the keyboard. Other times, I have an idea, but every time I start to write, it gets murky. My creative mind has a little spark, and my critic runs over and douses it with water: “It won’t work that way. That sounds stupid. How cliche. This is really awkward.”

How can anyone create under those circumstances? The critic has his uses–he’s great at editing and spellchecking, for instance–but he sucks at generating ideas. My solution, and the solution I pass along to my clients, is to send the critic out of the room. The critic will always win the war with the creative mind, because he shouts louder and he fights dirty. Whatever it takes for you to shut him up, whether it’s duct-taping his mouth or sending him to the zoo to tell the zebras they have too many black stripes, do it.

Silencing your inner critic is crucial to the drafting process. The creative mind is a sensitive entity, but the longer you give it the floor, the more confidence it will have to suggest daring, unique, and beautiful ideas. Give your creative mind the permission to speak freely, and the sparks will fly.

Get Real–Keep the Human in Your Writing

Thursday, September 14th, 2006

I’m doing a lot of networking these days, which involves having many conversations with people who don’t know me well. If you pay attention in this kind of situation, you learn a lot about how you’re perceived by others. Something I’ve heard from several people lately is, “wow, you’re really real.” This statement is usually delivered with some degree of surprise, because, I assume, I’m promoting my business while being my natural self.

Can a person successfully represent a business and still be “real”?

I would argue that not only can you do it, but that it’s essential to true success. You should see how people relax the longer they talk with me. Shoulders lower, speech gets more natural, and there’s a lot more genuine laughter when they realize that there’s no need for pretense. I’m ok with showing my true character, and my behavior gives them permission to do the same.

How does this apply to writing? When we’re talking about writing for your customers, especially writing that is intended to woo them, it had better be real. Are you going to trust the business that talks about buy now!“synergy,” and “optimizing solutions”? What does that even mean?! No, you’re probably going to trust the business that is talking to you, in the real way that people actually talk. A business that sounds like it contains real people, that has the courage to openly display their meaning, inspires trust in their potential customers.

In my experience, people are relieved to work with someone who isn’t pretending to be something other than human. Being human means being a little messy. It means not always saying the perfect, polite, appropriate thing. I know, that seems scary; we don’t want to lose customers by writing something that could be taken the wrong way. But by being yourself, you attract customers with whom you actually enjoy working. And enjoying your work, to me, is a huge sign of success.

How long should a sentence be?

Wednesday, September 6th, 2006
There’s no hard and fast rule about sentence length, but I can give you some pointers. These guidelines vary widely based on your audience–for instance, essay writing is going to have longer sentences than advertising copy. Let’s focus on writing for business, especially the web.
  1. Not too long. Sentences probably should be shorter than 15-20 words. Any longer and you’ll start to lose people’s attention.
    Example: “How many times have you read a blog or visited a website only to find that the person doesn’t seem to have a point anywhere near him, and he’ll just ramble on and on like one of those angry, venting emails you’ll send to a close friend, but this guy doesn’t seem to get that not everyone cares.” 
  2. Not too short. At least not often. Sentences should be at least five or six words long, or you’ll risk sounding stilted or cut off. Or perhaps like JJ, the hard-nosed, command-issuing, newspaper editor for whom Peter Parker works. (It’s a Spiderman reference, people.)
    Example: “It is not. I resent that. Slander is spoken. In print, it’s libel” (quote courtesy of Spiderman). 
  3. Long can work. When you have a powerful rant or a complicated point, you might end up with a fairly long sentence that works. The trick is to make sure you’ve done your best to simplify it; if you’ve reworked it and it’s still long, that may be the right choice.
    Example: The first sentence in this point. 
  4. Short can work. Actually, on the web, shorter is usually better. Also, if you want to get attention, a short sentence can do that for you.
    Example: “The next point is key.” Did you look ahead when you read that? 
  5. Mix them up. In general, it’s easiest to read writing in which the sentence length varies. There’s no good formula for how to do this–you develop a sense of what works with practice. You can start, however, by eyeballing your sentence lengths when you review a draft during your editing phase. (Don’t have an editing phase? We’ll discuss that later.)
    Example: This whole post, along with my other posts.

Notes on long sentences:

When writing long sentences, you need to be sure you have a strong grasp of punctuation. Appropriate punctuation allows your reader some breathing room in the middle of a complex thought. You’ll need to get very comfortable with commas, semicolons, colons, and the em dash (looks like this: “–”).

It also helps to have enough grammar knowledge to be able to play fast and loose with different ways of writing the sentence. (For example, I could’ve said, “Knowing grammar well will also help you rewrite sentences,” instead.) Then, you can try rephrasing something when you get stuck.

A confession:

If you haven’t noticed, I tend towards long sentences. Everyone leans one way or another, and that happens to be my tilt. It’s probably because I’ve been steeped in classic literature and the academic predisposition to equate rambling on with sounding intelligent. Academics like to spin loquacious, ten-dollar-word-rich, flights of eloquence. It’s a hard habit to fight. Let me know if you think I’m winning (or losing) .